Jazz Està Morto: Azimüth
Last month, Adrian Younge, Ali Shaheed Muhammad and ArtDontSleep took a journey to Brazil. Adrian and Ali were performing The Midnight Hour and we (ADS) was tour managing. Long story short, we paid our respects to the Brazilian Maestros, whose musical shoulders we stand on. We sat in the homes of Liminha, Arthur Verocai and Azymuti. We broke bread with João Donato and Marcos Valle. To believe that those humble meetings have turned into this epic series is a dream come true. Join us, for one, if not all, of our special events.
We are offering a special package to all 5 concerts, in addition to some Jazz Is Dead Limited items.
Five Concert Bundle For $135, HERE!
– 1 Ticket to all 5 Concerts (listed out below)
– Jazz Is Dead tee
– Jazz Is Dead pin
– Jazz Is Dead sticker pack
– Jazz is Dead button pack
For individual tickets, please look below at the end of the paragraph of the concert you are interested in.
Every Sunday In The Month of June
June 2: Azimüth
Azimüth was born out of the bossa nova and jazz scenes in Rio de Janeiro in the 1960’s. Keyboard player and bandleader Jose Roberto Bertrami (RIP), drummer Ivan ‘Mamao’ Conti and bass player Alex Malheiros met during that time and recorded an album called ‘O Trio’ in 1968 under the name ‘Projeto 3’. ‘Projeto 3’ changed their name to ‘Azimuth’ after backing the recording of ‘O Fabuloso Fittipaldi’ for Marcos Valle in the early ’70’s – ‘Azimuth’ is a track title from that album. Their first recording under the new name was a four-track EP for Polydor in 1975. This was followed by their first full-length self-titled LP for Som Livre also in 1975. ‘Agua Nao Come Mosca’ came in 1977 and was also released outside Brazil – in the USA and Japan – by Atlantic Records. In 1979 they released ‘Light As A Feather’ for legendary US jazz label Milestone – it became one of the best-selling records of the year and features the all-time classic disco/fusion dancer ‘Jazz Carnival’. This isn’t our first time bringing the trio to Los Angeles. Back in ’08 we brought them to the Echoplex and in 09’ we brought them as part of the rhythm section in Arthur Verocai’s “Timeless” concert. This time, we bring them back without Bertrami, but very much in tact. Grab your TICKETS HERE!